Last time, we scratched the surface of an ill-advised attempt to make the ThunderCats franchise darker and edgier. The sexism, gore, and terrible storytelling of the first two issues pales in comparison with the final half of the miniseries. As always, I must share my pain, so let’s explore issues 3-5 of ThunderCats: The Return. Continue reading “ThunderCats, No! (Part 2 of 2)”
I don’t know why, but many people really seem to want kids’ entertainment to get re-imagined in a dark and gritty way. That’s one of the main complaints people seem to have about the upcoming ThunderCats reboot, which looks sillier than the original. While adult clamor for a darker version of ThunderCats (often ignoring that the awesome 2011 reboot was more mature and didn’t last more than one season), it’s worth noting that there is danger in going dark just for the sake of getting grim and gritty.
The ThunderCats franchise serves as a good example of why “more mature” often isn’t and why dark and gritty doesn’t necessarily make for better storytelling. See, the early 2000s had a ThunderCats reboot of its own in comic form. The resulting miniseries, ThunderCats: The Return is probably one of the worst comics I’ve ever read.
I don’t like to suffer through bad comics alone. So let’s take a look at this train wreck together, shall we? Continue reading “ThunderCats, No! (Part 1 of 2)”
The news of a new, silly-looking ThunderCats reboot has many fans of the 1980s franchise gnashing their teeth in anger. Personally, I don’t care about it, as ThunderCats was always sillier than fans like to remember. However, it does make me fondly remember that brief time in 2011 when ThunderCats was awesome.
ThunderCats Roar isn’t the first time Cartoon Network has tried to resurrect the franchise. It got a different kind of reboot in 2011, with an epic storyline, excellent quality art, top-notch voice actors, and some truly terrific storytelling. Sadly, all of that awesome got countered by poor marketing and Cartoon Network’s tendency to sabotage shows that don’t sell new toys. Thus, the show was canceled after only one season.
But what a season it was. There’s a lot to love about the 2011 ThunderCats series, but here are the elements that got me hooked after just a few episodes. Continue reading “ThunderCats, Woah!”
The Phantom of the Opera is one of my favorite stories but also one of the most frustrating.
Last time we covered Superman’s brand of vigilante justice in Action Comics #1. That was the first of a two-part story, which continued in Action Comics #2. Part Two really highlights the wish fulfillment aspect of Superman standing up to corruption both in the United States and abroad. Continue reading “The Golden Age Superman was a Badass Vigilante (Part 2 of 2)”
I had the good fortune of picking up Superman: The Golden Age, Vol. 1 while it was on sale at Comixology.com a few weeks ago. I like the Golden/Silver Age stuff as a historical artifact of how comics shaped pop culture. In the case of Golden Age Superman, the results were really eye opening.
I knew that Superman’s early days were very different from the Man of Steel we know today. He didn’t have heat vision, couldn’t fly, and kryptonite wasn’t a thing yet. However, I didn’t realize how fully early Superman embraced his role as a man of the people – or how well the stories serve as middle-class wish fulfillment.
We all fight for different things. But we all still fight….Everything we need – it’s all within us.
Who is Roy Harper? Well, he’s been lots of different things. He began as Speedy, the Green Arrow’s sidekick. He’s also been the Red Arrow and Arsenal. He’s been a drug addict, a single father, and an amputee. He’s one of the first comic book characters to really be involved in some heavy topical issues, but bad creative decisions have turned him into a parody of those very same issues. Looking at Roy Harper’s history is like watching a train wreck, then watching the sole survivor emerge from the blazing inferno, take six steps forward, then get hit by a speeding car.
My knowledge of Roy Harper extends from his early days up until about 2010 or so. When DC rebooted its universe, he joined up with his buddies Jason Todd and Starfire in Red Hood and the Outlaws, but I’ve read very little of that series or anything else involving Roy since. What I have to offer here is a history of “Roy Classic.” So let’s dive in, shall we?