Welcome to the Screamsheet! This place can best be described as a reflection of my weird and fragmented personality. Here you’ll find rants both childish and mature, fiction both published and unpublished, music, videos, and anything else that might wander across my brain.
To somebody used to the grim and brooding modern Batman, Golden Age stories involving the Caped Crusader are fairly weird. From Batman’s occasional habit of gunning criminals down to the appearance of aliens and monsters every few issues, it’s safe to say that the Dark Knight took a few years to find his footing. Case in point: Batman #1 from 1940, which introduced the character of Catwoman, known then merely as the Cat.
Superhero movies vary from extremely faithful adaptations to the realm of, “Why bother calling that giant cloud Galactus in the first place?” Similarly, casting our favorite superheroes has been a grab-bag of terrible choices, ideas that seemed bad originally but turned into pleasant surprises, and actors that so perfectly fit into their roles that it’s hard to imagine anybody else taking their place.
The list below deals with the latter, focusing on ten perfect casting choices in superhero movies. These are all obviously in my opinion, and they focus around actors that so thoroughly nailed their role that they wound up defining how the general public sees those characters. Those criteria do leave some great performances off the list, such as Adam West’s Batman or Heath Ledger’s Joker, since those characters have so many different interpretations that it’s hard to embrace just one.
Without further ado, here’s what I believe to be the ten best casting jobs in superhero movies so far: Continue reading
My house has too much stuff in it. I’ve been going through my possessions and deciding what needs to go. Finally, I came across my Big Box o’ Rejections:
When I first started writing, I decided to save all my rejection letters as a way to keep myself motivated. But now that rejections come electronically and are almost exclusively form letters – and now that I have a lengthy publications list – I don’t feel that I need it anymore. So this box has got to go.
The box itself contains rejections, old drafts of stories from writing workshops, and a few magazines and newspapers where I got my first publishing credits. As I sorted through old letters, I got the most enjoyment out of reading some old rejection letters from my high school days, when I wrote articles for Dragon Magazine.