Welcome to the Screamsheet! This place can best be described as a reflection of my weird and fragmented personality. Here you’ll find rants both childish and mature, fiction both published and unpublished, music, videos, and anything else that might wander across my brain.
I’m trying out contacts for the first time in my life. I’ve been wanting to wear contacts for at least 15 years, but my severe astigmatism makes my corneas look like Madonna’s pointy bra from the 1990s. Special weighted lenses have always cost too much.
However, technology marches on and has brought the price of those lenses down while my salary has increased significantly over the years. At 18, I lived on a sack of potatoes and some Mountain Dew for a week. Now in my mid-30s, I have enough disposable income that I can buy my kids a sack of potatoes every day if I wanted to – yes, I’m pretty wealthy if wealth is measured in the number of consecutive days you can buy bulk potatoes. Also, I can now afford those long sought-after contact lenses.
The death of Superman is an iconic moment in comics that brought a new level of introspection and insight to comics. It should rightfully be regarded as a true classic.
No, not that one. I’m talking about the original death of Superman, which was an “imaginary story” (basically DC’s version of Marvel’s “What-If” comics) that occurred in Superman #149.
To somebody used to the grim and brooding modern Batman, Golden Age stories involving the Caped Crusader are fairly weird. From Batman’s occasional habit of gunning criminals down to the appearance of aliens and monsters every few issues, it’s safe to say that the Dark Knight took a few years to find his footing. Case in point: Batman #1 from 1940, which introduced the character of Catwoman, known then merely as the Cat.
Superhero movies vary from extremely faithful adaptations to the realm of, “Why bother calling that giant cloud Galactus in the first place?” Similarly, casting our favorite superheroes has been a grab-bag of terrible choices, ideas that seemed bad originally but turned into pleasant surprises, and actors that so perfectly fit into their roles that it’s hard to imagine anybody else taking their place.
The list below deals with the latter, focusing on ten perfect casting choices in superhero movies. These are all obviously in my opinion, and they focus around actors that so thoroughly nailed their role that they wound up defining how the general public sees those characters. Those criteria do leave some great performances off the list, such as Adam West’s Batman or Heath Ledger’s Joker, since those characters have so many different interpretations that it’s hard to embrace just one.
Without further ado, here’s what I believe to be the ten best casting jobs in superhero movies so far: Continue reading