Welcome to the Screamsheet, my little corner of the Internet for fiction, rants, gaming, and more. Some of what you can find here includes:
- Fights: Celebrity death matches of the bizarre kind.
- Fiction: I’m a published novelist and award-winning short story writer. Here you’ll find a sample of some of my work.
- Rants: Rumblings about anything from comic book movies to religion and politics, and everything in between.
- Role-Playing Games: Custom material for a variety of role-playing games, including Pathfinder, Mutants & Masterminds, and more.
- Music and Videos: Music video projects of mine, as well as independent music volunteered by a few artists.
If you have any questions or suggestions, please feel free to email me.

I just want to be very clear here: I have no problem with boobies.
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What do Claude Rains, Lon Chaney, and Michael Crawford all have in common? They each starred as the titular antagonist in adaptations of The Phantom of the Opera which, while excellent on their own, missed key pieces of the puzzle that keep me from considering them to be on the same level as the original novel. The 1943 adaptation of The Phantom of the Opera, which we are going to talk about today, happens to go one step further in that, while solid on its own, I believe that it actually did some long-term damage to the franchise that carried over into subsequent adaptations.
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